Aretha Franklin and George Benson - Love All The Hurt Away / A Whole Lot Of Me Full Album
|1||–Aretha Franklin and George Benson||Love All The Hurt Away|
Written-By – Sam Dees
|2||–Aretha Franklin||A Whole Lot Of Me||3:23|
|ARS 37072||Aretha Franklin & George Benson||Aretha Franklin & George Benson - Love All The Hurt Away / Hold On I'M Comin' (7")||Arista||ARS 37072||Italy||1981|
|AS 0624||Aretha Franklin and George Benson||Aretha Franklin and George Benson - Love All The Hurt Away (7", Single, Promo)||Arista||AS 0624||US||1981|
|AS 0624||Aretha Franklin & George Benson||Aretha Franklin & George Benson - Love All The Hurt Away (7", Single, Promo)||Arista||AS 0624||US||1981|
|ARIST 12428, ARIST 12 428||Aretha Franklin & George Benson||Aretha Franklin & George Benson - Love All The Hurt Away (12", Single)||Arista, Arista||ARIST 12428, ARIST 12 428||UK||1981|
|103.960||Aretha Franklin & George Benson||Aretha Franklin & George Benson - Love All The Hurt Away (7")||Arista||103.960||Scandinavia||1981|
- Arranged By, Producer – Arif Mardin
- Engineer – Jeremy Smith , Lew Hahn
George Benson appears courtesy of Warner Brothers Records
- Matrix / Runout (Label Side A): AS 0624-SA
- Matrix / Runout (Label Side B): AS 0624-SB
- Rights Society: BMI
- Manufactured By – Arista Records, Inc.
- Phonographic Copyright (p) – Arista Records, Inc.
- Published By – Irving Music, Inc.
- Published By – Lijesrika Music
- Published By – Springtime Music, Inc.
Love All The Hurt Away is the twenty-seventh studio album by American singer Aretha Franklin. Released in August 20, 1981, this album is the singer's second release under the Arista Records label. The Arif Mardin-produced disc reached fourth place on Billboard's R&B albums chart and 36 on the main Billboard album chart. Franklin's cover version of Sam & Dave's classic hit Hold On I'm Comin' won Franklin her 11th Grammy Award in the Best R&B Vocal Performance, Female category. The award was her. 2012 г. From Album Love All The Hurt Away 1982. Aretha Franklin, George Benson. Sam 1981 10 Songs. Aretha Franklin & George Benson. Whole Lot of Me. Kind of Man. Songs in album Aretha Franklin - Love All The Hurt Away 1981. Aretha Franklin - Love All The Hurt Away Duet With George Benson. Aretha Franklin - Whole Lot Of Me. Aretha Franklin - Kind Of Man. Aretha Franklin. A Whole Lot Of Me. Compañías, etc. George Benson appears courtesy of Warner Brothers Records. Código de Barras y Otros Identificadores. Matrix, Runout Label Side A: AS 0624-SA. Watch the video for Love All the Hurt Away from Aretha Franklin's The George Benson Collection for free, and see the artwork, lyrics and similar artists. Play album. Skip to YouTube video. Replace video. Aretha Franklin March 25, 1942 - August 16, 2018 was a Memphis, Tennessee born and Detroit, Michigan reared American iconic gospel, soul, and R&B singer, songwriter and pianist. Many have called her The Queen Of Soul and Lady Soul. The title cut was a nice duet between Franklin and George Benson, and there were some other decent songs, but this was overall a disappointment. Featuring George Benson. Produced by Arif Mardin. Album Love All the Hurt Away. I see myself in your face A reflection of pain Somebody made you Cry over and over again. Because you and I Were meant to be lovers The search is over for us There's no other, we're Finally at the rainbow's end Baby, together, we'll mend All the crac. Слушать песню Aretha FranklinGeorge Benson Love All the Hurt Away онлайн или скачать mp3 в хорошем качестве 320 kbps на телефон андроид, айфон вы можете на сайте Franklin, who died on August 16th at age 76, recorded more than 40 full-length albums in her six-decade career. Its a deep catalog, crowded with indisputable classics and hidden gems. Two of the best tracks come from Arethas own pen. Whole Lot of Me, a luscious seduction song, engulfs her in sumptuous, hopping orchestral soul and inexplicably wasnt a hit. And as elsewhere on the album Its My Turn , Arethas self-composed Kind of Man demonstrates the way she could invest even the most mawkish material with emotional urgency. When she lets loose during its closing minutes, her voice rushing into full oratory mode, its a harbinger of rebirth to come